Xu Beihong (simplified Chinese: 徐悲鸿; traditional Chinese: 徐悲鴻; pinyin: Xú Bēihóng) was born in Yixing, China. He was primarily known for his shuimohua (Chinese ink paintings) of horses and birds and one of the first Chinese artists to articulate the need for artistic expressions that reflected a new modern China at the beginning of the 20th century. He was also regarded as one of the first to create monumental oil paintings with epic Chinese themes - a show of his high proficiency in an essential Western art technique.Xu began studying classic Chinese works and calligraphy with his father Xu Dazhang when he was six, and Chinese painting when he was nine. In 1915, he moved to Shanghai, where he made a living off commercial and private work. He traveled to Tokyo in 1917 to study arts. When he returned to China, he began to teach at Peking University's Arts school at the invitation of Cai Yuanpei. Beginning in 1919, Xu studied overseas in Paris at the école Nationale Supérieure des Beaux-Arts, where he studied oil painting and drawing. His travels around Western Europe allowed him to observe and imitate Western art techniques. He came back to China in 1927 and, from 1927 to 1929, gained a number of posts at institutions in China, including teaching at National Central University (now Nanjing University) in the former capital city Nanjing.
In 1933, Xu organized an exhibition of modern Chinese painting that traveled to France, Germany, Belgium, Italy, and the Soviet Union. During World War II, Xu traveled to Southeast Asia, holding exhibitions in Singapore and India. All the proceeds from these exhibitions went to Chinese people who were suffering as a result of the war.
Galloping HorseAfter the founding of the People's Republic of China in 1949, Xu became president of the Central Academy of Fine Arts and chairman of the Chinese Artists' Association.
Xu Beihong was a master of both oils and Chinese ink. Most of his works, however, were in the Chinese traditional style. In his efforts to create a new form of national art, he combined Chinese brush and ink techniques with Western perspective and methods of composition. He integrated firm and bold brush strokes with the precise delineation of form. As an art teacher, he advocated the subordination of technique to artistic conception and emphasizes the importance of the artist's experiences in life. Of all of the Painters of the modern era, it can be safely said that Xu is the one painter most responsible for the direction taken in the modern Chinese Art world. The policies enacted by Xu at the beginning of the Communist Era continue to control not only official Government Policy towards the arts, but they continue to direct the overall direction taken in the various Art Colleges and Universities throughout China.
Xu enjoyed massive support from art collectors across Asia. Between 1939 and 1941, he held solo exhibitions in Singapore, India and Malaya (Penang, Kuala Lumpur and Ipoh) to help raise funds for the war relief effort in China. In one war benefit exhibition in March 1939, Xu held a group exhibition with Chinese ink painting masters Ren Bonian (Chinese: 任伯年; pinyin: Rén Bónián) and Qi Baishi (Chinese: 齐白石; pinyin: Qí Báishí), and showcased 171 works of art at the Victoria Memorial Hall.
He also met luminaries such as Rabindranath Tagore and Mahatma Gandhi during his stay in India, and got his sources of inspiration which led to the creation of iconic works such as the 4.21m-wide The Foolish Old Man Who Removed the Mountains painting on show at the Singapore Art Museum (SAM). Artworks like After a Poem of the Six Dynasties, Portrait of Ms Jenny and Put Down Your Whip were also created during his sojourns in Southeast Asia. SAM Director Kwok Kian Chow mentioned that Xu's name tops the list in Asian modern realism art, and his connections with various parts of Asia and Europe opened a new chapter of historical narratives, exchanges and influences of aesthetics and ideas in art.
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List
stamps:
1.paintings:Pantianshou,Likeran,Huangbinghong,Badashanren,Zhenbanqiao,Shitao,Fubaoshi,hexiangning，dunhuang murals，night revels of hanxizai，beautiful painting，along river during qingming festival，nymph of luo river，yongle temple murals，emperor taizong and an ambassador of Tibet ，new year picture，mayuan，huang yongyu and lotus，ni zan，87 deities descending from heaven
2.crafts:chicken blood stone carving,qingtian stone carving,shoushan stone carving，lacquerware，kite，paper lantern，longquan celadon，celadon，jun ware，four treasures of study，chinese furniture
3.Scenic Area：mount hua，mount heng（hunan），mount heng（shanxi），mount song，li river，sanjiangyuan national nature reserve，shangri-la
4.Animal：birds，giant panda，panda
5.Culture heritage：silk road，the fortifictions of xian，maijishan grottoes，chinese tea culture，kizil caves，grand canal
6.World heritage：longmen grottoes，mountain resort in chengde，terracotta army，west lake，forbidden city，the temple of heaven，mount wutai，old town of lijiang，dazu rock carvings，leshan giant buddha，yungang grottoes，summer palace，huanglong
7.Flowers and plants：bamboo，metasequoia glyptostroboides，rhododendron，cymbidium，magnolia，plum，paphiopedilum，lilium，clivia，rhododendron(2)
8.Opera：kunqu,peking opera(jing),peking opera(chou),peking opera(sheng)
Telephonecards:
1.Paintings:zhaozhiqian,qibaishi,yunshouping,birds andflowers,lanying,chenshuren,dongqichang,shitao,liuyujia,likeran,yanbolong,jincheng,yuanyao,yuanjiang,giuseppe castigliones,renbonian,xubeihong,birds and flower,changdaichien,chengzhang
2.Beauties:four great beauties,beauties,four beauties,beauty
3.Animal:panda
4.Flowers:plum,lotus,bamboo,lotus
5.Crafts:silverware,tea bottle,hand held fan,blue and white wares,soft paste,porcelain,jingdezhen ware,snuff bottles,kites,kite,cloisonne,instrument,bowl,beautiful porcerlain,shoushan stone,jingdezhen ware,zhenbanqiao,blue and white ware
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